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17-Jun-2017 15:05

While not truly artificially intelligent, the fembots still had extremely sophisticated programming that allowed them to pass for human in most situations.The term fembot was also used in Buffy the Vampire Slayer (referring to a robot duplicate of the title character, a.k.a. The 1987 science-fiction cult film Cherry 2000 also portrayed a gynoid character which was described by the male protagonist as his "perfect partner".The robot's creator, Clayton Bailey, a professor of art at California State University, Hayward called this "censorship" and "next to book burning." Artificial women have been a common trope in fiction and mythology since the writings of the ancient Greeks.This has continued with modern fiction, particularly in the genre of science fiction.Among the few non-eroticized fictional gynoids include Rosie the Robot Maid from The Jetsons.However, she still has some stereotypically feminine qualities, such as a matronly shape and a predisposition to cry.Fembots in Japan, for example, are designed with slenderness and grace in mind, People also react to fembots in ways that may be attributed to gender stereotypes.

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In this myth a female statue is sculpted that is so beautiful that the creator falls in love with it, and after praying to Venus, the goddess takes pity on him and converts the statue into a real woman, Galatea, with whom Pygmalion has children.“Sweetheart”, shown with its creator, Clayton Bailey; the busty female robot (also a functional coffee maker) that created a controversy when it was displayed at the Lawrence Hall of Science at University of California, Berkeley Female robots as sexual devices have also appeared, with early constructions being crude.The first was produced by Sex Objects Ltd, a British company, for use as a "sex aid".Fiction about gynoids or female cyborgs reinforce essentialist ideas of femininity, according to Margret Grebowicz.Such essentialist ideas may present as sexual or gender stereotypes.

In this myth a female statue is sculpted that is so beautiful that the creator falls in love with it, and after praying to Venus, the goddess takes pity on him and converts the statue into a real woman, Galatea, with whom Pygmalion has children.

“Sweetheart”, shown with its creator, Clayton Bailey; the busty female robot (also a functional coffee maker) that created a controversy when it was displayed at the Lawrence Hall of Science at University of California, Berkeley Female robots as sexual devices have also appeared, with early constructions being crude.

The first was produced by Sex Objects Ltd, a British company, for use as a "sex aid".

Fiction about gynoids or female cyborgs reinforce essentialist ideas of femininity, according to Margret Grebowicz.

Such essentialist ideas may present as sexual or gender stereotypes.

The stereotypical role of wifedom has also been explored through use of gynoids.